07June2015 Language in Time

BEK has released this ebook I wrote for apple iBooks. 

Download here

This text is based on a lecture for the Platform series at Bergen Kunsthall 10. February 2013. Doing research for my exhibition “Dead Language Poetry”, first installed at Bergen Kunsthall /No. 5 in 2013, I sifted through a vast range of subjects regarding language, some of which made it into the works of the exhibition – others fell into the background web of inspiration. Included is also sounds from the playlist intervention and the video of the performance of the work: Structural metaphors recited in the vedic style.


13March2019 Spectres

New release 8. March including my text "Exercises in non-human listening"

SPECTRES
Composer l’écoute / Composing listening


WITH TEXTS BY / AVEC DES TEXTES DE

Félicia Atkinson, François Bayle, François J. Bonnet, Drew Daniel, Brunhild Ferrari, Beatriz Ferreyra, Stephen O’Malley, Jim O’Rourke, Eliane Radigue, Régis Renouard Larivière, Espen Sommer Eide, Daniel Teruggi, Chris Watson

This book has been conceived as both a prism and a manual. Following the “traditional” arc of electroacoustic composition (listen—record—compose—deploy—feel), each of the contributions collected together here focuses in on a personal aspect, a fragment of that thrilling territory that is sonic and musical experimentation.
Although the term “experimental music” may now have be understood as referring to a genre, or even a particular style, we ought to hold on to the original use of this term, which was based more on an approach than on any particular aesthetic line to be followed. The experimental is first and foremost a spirit, the spirit of the exploration of unknown territories, a spirit of invention which sees musical composition more as a voyage into uncertain territories than as a self-assured approach working safe within the bosom of fully mapped out and recognized lands.

Tags: writings